everything left unsaid
During my 8-month student-artist-in-residence (2023-2024) at the Barnard Movement Lab, I was working with my family's archives to create an immersive installation exploring themes of memory and growing up. I paired childhood photographs and videos that my parents took with written captions, which were projected as three panels onto the walls of the space. Film photographs that I took, as an adult, of the neighborhood that I grew up in, were printed and displayed on the ground.
Viewers were invited to sit on green cushions on the floor to view the exhibit and listen to the ambient sounds from old camcorder videos taken of trees swaying in the wind.
el casita de bambu
During my five day residency with Daniel at La Casita de Bambú, I explored the surrounding neighborhood in Easton, PA and the Mariton Wildlife Sanctuary. I focused on taking an intuitive approach to image making, seeking to create with the intentions of stillness and exploration. All of the photographs were made on my long walks through the Sanctuary and the surrounding neighborhood, with a keen eye towards the way the light illuminates the environment. Much of my exploration was focused on the light (the way the light falls through the tress, the sun illuminating large swaths of cleared fields, and the shadows) and structure (the branches and leaves on trees, rust corroding an abandoned car, and the ecosystem of a forest). Shooting the project entirely on film allowed me to slow down and dwell in the compositions of each photograph.
After returning back to the city, I had my film developed and started to curate and sequence the scans. During this process, I focused on creating diptychs and triptychs to recreate the environments that I experienced during my residency. In Shadow Play, you can see the shadows seamlessly connecting the space between two photographs, as if demanding to be placed next to each other. The Neighborhood focuses on pairing juxtaposing views of the enviroment together—the view of rolling hills from a window and a mailbox. Finally, Looking is interested in finding the intimate and quiet moments in nature and highlighting the stillness of seeing.
suspended realities
This series was exhibited at El Patio Di Mi Casa in New York City. “Suspended Realities” explores movement, light, and passage of time through analog and film photography. This series dwells in moments of silence and reflection. Using Polaroids, I capture the imprints of shifting shadows within a room, crafting expansive and immersive worlds of light within intimate frames. These photographs depict spaces that evoke memories of presence and absence: rooms held between what was and what lingers.
